Books
2013
Vasily Kandinsky, edited by Jill Lloyd, Neue Galerie Publications.
2012
Ferdinand Hodler, edited by Jill Lloyd and Ulf Kuester, Neue Galerie Publications.
2011
Birth of the Modern: Style and Identity in Vienna 1900, edited by Jill Lloyd and Christian Witt-Doerring. Amazon UK
Egon Schiele. Women. Richard Nagy Ltd, London.
2010
Georg Baselitz, Collected Writings and Interviews, edited by Detlev Gretenkort with Introduction by Jill Lloyd. Amazon UK Amazon US
2008
Max Beckmann: Self-Portrait with Horn, Neue Galerie Publications, New York. Amazon UK Amazon US
2007
The Undiscovered Expressionist: A Life of Marie-Louise von Motesiczky, Yale University Press, London and New Haven. Amazon UK
Vincent Van Gogh and Expressionism, Hatje Cantz, Ostfildern and Gallimard, Paris. Amazon UK Amazon US
Van Gogh and Expressionism, edited by Jill Lloyd, Neue Galerie Publications, New York. Amazon UK Amazon US
2004
Max Beckmann, L’exil d’Amsterdam 1937-1947, Edition L’Échoppe, Paris.
1998
Per Kirkeby, Tate Gallery, London. Amazon UK
1991
German Expressionism, Primitivism and Modernity, Yale University Press, London and New Haven (Awarded the National Art Book Prize in 1992). Amazon UK Amazon US
Selected Exhibition Catalogues and Essays
2014
‘Gerhard Richter: Photo-Realist and Abstract Painting‘, Polke/Richter Richter/Polke, Christie’s International, London.
2013
‘Marc und Macke – Erste Blicke nach Frankreich,’ Im Farbenrausch, Munch, Matisee und die Expressionisten, Museum Folkwang.
2011
‘German Expressionism: apocalypse, war and revolution,’ The Mad Square, Modernity in German Art 1910-37, Art Gallery New South Wales.
2009
‘Brücke; National Identity and International Style,’ Brücke, The Birth of Expressionism in Dresden and Berlin, 1905-13, Neue Galerie New York.
‘International Trends in Austrian Art,’ Herbert Boeckl Retrospective, Belvedere Gallery, Vienna.
2007
‘The Vienna Years: Family Background and First Paintings,’ Marie-Louise von Motesiczky, Tate Liverpool, Museum Giersch, Frankfurt am Main, Wien Museum Vienna, Southhampton Art Gallery.
‘Heribert Ottersbach, Portraits and Exteriors,’ Ben Brown Gallery, London.
2006
‘Die Brücke – Streben nach Internationalität,’ Brücke-Museum Berlin, Malerei und Plastik, Kommentiertes Verzeichnis der Bestände.
2005
‘Beckmann: Exile in Amsterdam 1937-47,’ Tate Modern, London.
‘Marie-Louise von Motesiczky – Eine Malerien der Erinnerung,’ Die Lieben, 150 Jahre Geschichte einer Wiener Familie, Jewish Museum Vienna.
2003
‘Christian Schad: Reality and Illusion,’ Christian Schad and the Neue Sachlichkeit, Neue Galeie New York. Amazon UK Amazon US
‘Kirchner’s Metaphysical Studio Paintings,’ National Gallery Washington and Royal Academy of Art, London.
2002
‘Nolde als Kritiker des deutschen Imperialismus’ and ‘Zur Rezeption außereuropäischer Kunst vor 1914,’ Emil Nolde in der Südsee, Brücke Museum, Berlin, Brücke-Archiv 20/2002.
2001
‘Austrian Expressionism,’ La Vérité nue, Musée Maillol, Paris.
‘Ernst Ludwig Kirchner,’ Deutsche Expressionismus, Art Focus Galerie Zürich. Amazon US
‘Ernst Ludwig Kirchner: Spiegel und Spiegelbilder’, Ernst Ludwig Kirchner, Neuerwerbungen seit 1998, Brücke -Museum, Berlin.
Catalogue Entries on Erich Heckel and Max Pechstein for New Worlds: German and Austrian Art, 1890-1940, Neue Galerie New York.
1998
‘Tradition et transformation dans la peinture britannique contemporaine,’ L’École de Londres, Musée Maillol, Paris.
1996
‘Lovis Corinth: Intimations of Mortality,’ Lovis Corinth, Tate Gallery and Saint Louis Art Museum. (German translation for Nationalgalerie, Berlin and Haus der Kunst, Munich).
1994
‘Das Verlorene Paradies,’ Emil Nolde, Museo d’Arte Moderna, Lugano.
1989
‘The Painted City as Nature and Artifice (Ernst Ludwig Kirchner)’ in The Divided Heritage, Cambridge University Press.
‘Emil Nolde’s Ethnographic Still Lifes: Primitivism Tradition and Modernity’ in The Myth of Primitivism, edited by Susan Hiller, Methuen Press.
1988
‘Gerhard Richter, The London Paintings,’ Anthony d’Offay Gallery, London.
1987
‘Alfred Flechtheim: ein Sammler außereuropäischer Kunst,’ Alfred Flechtheim, Kunstmuseum Düsseldorf.
‘Franz Xaver Messerschmidt, Character Heads/Arnulf Rainer, Overdrawings,’ ICA, London.
1985
‘Primitivism and Modernity – An Expressionist Dilemma,’ German Art in the 20th Century, Royal Academy of Art, London.